With the increased audiovisualisation of communication, the need for live subtitles in multilingual events is more relevant than ever. In an attempt to automatise the process, we aim at exploring the feasibility of simultaneous speech translation (SimulST) for live subtitling. However, the word-for-word rate of generation of SimulST systems is not optimal for displaying the subtitles in a comprehensible and readable way. In this work, we adapt SimulST systems to predict subtitle breaks along with the translation. We then propose a display mode that exploits the predicted break structure by presenting the subtitles in scrolling lines. We compare our proposed mode with a display 1) word-for-word and 2) in blocks, in terms of reading speed and delay. Experiments on three language pairs (en→it, de, fr) show that scrolling lines is the only mode achieving an acceptable reading speed while keeping delay close to a 4-second threshold. We argue that simultaneous translation for readable live subtitles still faces challenges, the main one being poor translation quality, and propose directions for steering future research.

Five years after the first published proofs of concept, direct approaches to speech translation (ST) are now competing with traditional cascade solutions. In light of this steady progress, can we claim that the performance gap between the two is closed? Starting from this question, we present a systematic comparison between state-of-the-art systems representative of the two paradigms. Focusing on three language directions (English-German/Italian/Spanish), we conduct automatic and manual evaluations, exploiting high-quality professional post-edits and annotations. Our multi-faceted analysis on one of the few publicly available ST benchmarks attests for the first time that: i) the gap between the two paradigms is now closed, and ii) the subtle differences observed in their behavior are not sufficient for humans neither to distinguish them nor to prefer one over the other.

Speech translation (ST) has lately received growing interest for the generation of subtitles without the need for an intermediate source language transcription and timing (i.e. captions). However, the joint generation of source captions and target subtitles does not only bring potential output quality advantages when the two decoding processes inform each other, but it is also often required in multilingual scenarios. In this work, we focus on ST models which generate consistent captions-subtitles in terms of structure and lexical content. We further introduce new metrics for evaluating subtitling consistency. Our findings show that joint decoding leads to increased performance and consistency between the generated captions and subtitles while still allowing for sufficient flexibility to produce subtitles conforming to language-specific needs and norms.

This paper presents the findings of the LoResMT 2020 Shared Task on zero-shot translation for low resource languages. This task was organised as part of the 3rd Workshop on Technologies for MT of Low Resource Languages (LoResMT) at AACL-IJCNLP 2020. The focus was on the zero-shot approach as a notable development in Neural Machine Translation to build MT systems for language pairs where parallel corpora are small or even non-existent. The shared task experience suggests that back-translation and domain adaptation methods result in better accuracy for small-size datasets. We further noted that, although translation between similar languages is no cakewalk, linguistically distinct languages require more data to give better results.

Dubbing has two shades; synchronisation constraints are applied only when the actor’s mouth is visible on screen, while the translation is unconstrained for off-screen dubbing. Consequently, different synchronisation requirements, and therefore translation strategies, are applied depending on the type of dubbing. In this work, we manually annotate an existing dubbing corpus (Heroes) for this dichotomy. We show that, even though we did not observe distinctive features between on- and off-screen dubbing at the textual level, on-screen dubbing is more difficult for MT (-4 BLEU points). Moreover, synchronisation constraints dramatically decrease translation quality for off-screen dubbing. We conclude that, distinguishing between on-screen and off-screen dubbing is necessary for determining successful strategies for dubbing-customised Machine Translation.

Subtitling is becoming increasingly important for disseminating information, given the enormous amounts of audiovisual content becoming available daily. Although Neural Machine Translation (NMT) can speed up the process of translating audiovisual content, large manual effort is still required for transcribing the source language, and for spotting and segmenting the text into proper subtitles. Creating proper subtitles in terms of timing and segmentation highly depends on information present in the audio (utterance duration, natural pauses). In this work, we explore two methods for applying Speech Translation (ST) to subtitling, a) a direct end-to-end and b) a classical cascade approach. We discuss the benefit of having access to the source language speech for improving the conformity of the generated subtitles to the spatial and temporal subtitling constraints and show that length is not the answer to everything in the case of subtitling-oriented ST.

Growing needs in localising audiovisual content in multiple languages through subtitles call for the development of automatic solutions for human subtitling. Neural Machine Translation (NMT) can contribute to the automatisation of subtitling, facilitating the work of human subtitlers and reducing turn-around times and related costs. NMT requires high-quality, large, task-specific training data. The existing subtitling corpora, however, are missing both alignments to the source language audio and important information about subtitle breaks. This poses a significant limitation for developing efficient automatic approaches for subtitling, since the length and form of a subtitle directly depends on the duration of the utterance. In this work, we present MuST-Cinema, a multilingual speech translation corpus built from TED subtitles. The corpus is comprised of (audio, transcription, translation) triplets. Subtitle breaks are preserved by inserting special symbols. We show that the corpus can be used to build models that efficiently segment sentences into subtitles and propose a method for annotating existing subtitling corpora with subtitle breaks, conforming to the constraint of length.

Multilingual Neural Machine Translation (MNMT) for low- resource languages (LRL) can be enhanced by the presence of related high-resource languages (HRL), but the relatedness of HRL usually relies on predefined linguistic assumptions about language similarity. Recently, adapting MNMT to a LRL has shown to greatly improve performance. In this work, we explore the problem of adapting an MNMT model to an unseen LRL using data selection and model adapta- tion. In order to improve NMT for LRL, we employ perplexity to select HRL data that are most similar to the LRL on the basis of language distance. We extensively explore data selection in popular multilingual NMT settings, namely in (zero-shot) translation, and in adaptation from a multilingual pre-trained model, for both directions (LRL↔en). We further show that dynamic adaptation of the model’s vocabulary results in a more favourable segmentation for the LRL in comparison with direct adaptation. Experiments show re- ductions in training time and significant performance gains over LRL baselines, even with zero LRL data (+13.0 BLEU), up to +17.0 BLEU for pre-trained multilingual model dynamic adaptation with related data selection. Our method outperforms current approaches, such as massively multilingual models and data augmentation, on four LRL.