QUESTION = What makes a feature film look different than regular video recording?

GENERATION = **Video:** The camera takes a series of still pictures and puts them together in a seamless motion. It does this by either cranking up or down the rate of exposure, allowing for more light to hit the sensor and thus more information to be captured. **Movie:** The camera is recording the scene in real time. It takes lots of pictures and puts them together in seamless motion. It does this by either speeding up or slowing down the rate of exposure, allowing more light to hit the sensor and thus more information to be captured. **Telecine:** The camera is recording the scene in real time. It takes lots of pictures and puts them together in seamless motion. It does this by either speeding up or slowing down the rate of exposure, allowing more light to hit the sensor and thus more information to be captured. **Actual video:** The camera is recording the scene in real time. It takes lots of pictures and puts them together in seamless motion. It does this by either speeding up or slowing down the rate of exposure, allowing more light to hit the sensor and thus more information to be captured. Hope this helps! 

RETRIEVAL #0 = Digital backlot---BULLET::::- "The Cabinet of Dr. Caligari" (United States, 2005) – Shot digitally. BULLET::::- "300" (United States, 2007) – Shot on celluloid. Two practical sets were used. BULLET::::- "Speed Racer" (United States, 2008) - Directed by the Wachowskis. Three practical sets used. BULLET::::- "The Spirit" (United States, 2008) – Director Frank Miller shot the film with the same techniques he and Robert Rodriguez used on "Sin City". BULLET::::- "Avatar" (United States, 2009) - Directed by James Cameron. Two practical sets used. BULLET::::- "Goemon" (Japan, 2009) - The second film from "Casshern" helmer, Kazuaki Kiriya. BULLET::::- "Alice in Wonderland" (United States, 2010) - Directed by Tim Burton. Practical sets used. BULLET::::- "" (United States 2014) – Co-directed by Robert Rodriguez and Frank Miller. Sequel to "Sin City". Section::::Notable films.:Upcoming. BULLET::::- "Tribes of October" Section::::See also. BULLET::: 

RETRIEVAL #1 = Film look---British television series from the 1960s through the 1980s used videotape for interior scenes and film for exterior shots due to equipment limitations. This was parodied in the 'Society for Putting Things on top of Other Things' sketch in "Monty Python's Flying Circus" (Series 2, Episode 5). Section::::See also. BULLET::::- Depth-of-field adapter BULLET::::- Digital cinema BULLET::::- Digital cinematography BULLET::::- Digital intermediate BULLET::::- 24p BULLET::::- Progressive scan BULLET::::- FilmLook BULLET::::- Filmmaking BULLET::::- Independent film Section::::External links. BULLET::::- How to Make Video Look Like Film BULLET::::- Filmlook Basics BULLET::::- The Film Look by A. Roberts, BBC BULLET::::- Film look Techniques For Video by Dan Coplan 

RETRIEVAL #2 = Digital cinematography---2013, Paramount became the first major studio to distribute movies to theaters in digital format eliminating 35mm film entirely. "Anchorman 2" was the last Paramount production to include a 35mm film version, while "The Wolf of Wall Street" was the first major movie distributed entirely digitally. Section::::Technology. Digital cinematography captures motion pictures digitally in a process analogous to digital photography. While there is no clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film. The term is seldom applied when digital acquisition is substituted for video acquisition, as with live broadcast television programs. Section::::Technology.:Recording. Section::::Technology.:Recording.:Cameras. Professional cameras include the Sony CineAlta(F) Series, Blackmagic Cinema Camera, RED ONE, Arriflex D-20, D-21 and Alexa, Panavisions Genesis, Silicon Imaging SI-2K, Thomson Viper, Vision Research Phantom, IMAX 3D camera based on two Vision Research Phantom cores, Weisscam HS-1 and HS-2, GS Vitec noX 

RETRIEVAL #3 = Danger One---Tom Everett Scott, Damon Dayoub, and James Jurdi” and added that “a hand-held camera can be overwhelming but it works well for this film to reflect its overall energy and tone.” Section::::External links. BULLET::::- GeekTyrant BULLET::::- HorrorNews.net BULLET::::- 28 Days Later Analysis BULLET::::- BroadwayWorld BULLET::::- Variety BULLET::::- LA Confidential Magazine 

RETRIEVAL #4 = Film look---the sprocket holes to become more and more enlarged, thus allowing more error in frame position. When film is scanned so that an electronic (video) copy can be made, various means are used to help ensure that the variations in frame position as a result of sprocket hole wear are minimized. The more effective these means are, the less of a 'film look' the result will have. On the contrary, if this compensation is reduced or disabled, the resulting electronic copy may exhibit more jump and weave, giving the result a sense of constant jitter. Section::::Filmized productions. US productions most often use actual film for prime time dramas and situation comedy series and filmizing is more common outside North America. Video production is cheaper than film, in line with the traditionally lower budgets outside the US. Productions that have been filmized include: BULLET::::- "Alys" (high-definition video) BULLET::::- "Derry Girls BULLET::::- "Home and Away" (high-definition video, since 2003) BULLET::::- "Neighbours" (high-definition video, since 2007) BULLET::::- "All My Children" (2006–2009) BULLET::::- "The Young and the Restless" (used on April 2, 200 

RETRIEVAL #5 = Videography---definition digital video cameras, however, has blurred this distinction. Videographers maintain and operate a variety of video camera equipment, sound recording devices, edit footage, and stay up to date with technological advances. With modern video camcorders, professional studio quality videos can be produced at low cost rivaling large studios. Many major studios have stopped using film as a medium due to linear-editing devices no longer being made and the availability for amateurs to produce acceptable videos using DSLRs (Digital single-lens reflex camera). Videographers use non-linear editing software on home computers. Section::::See also. BULLET::::- Camera coverage BULLET::::- Camera operator BULLET::::- Camera tracking BULLET::::- Cinematic techniques BULLET::::- Event videography BULLET::::- Filmmaking BULLET::::- Institute of Videography BULLET::::- Underwater videography BULLET::::- Video production BULLET::::- Wedding videography Section::::Further reading. BULLET::::- Knoblauch H, Tuma R (2011) Videography: an interpretive approach to video-recorded micro-social interaction. 

RETRIEVAL #6 = Cinematic techniques---Cinematic techniques This article contains a list of cinematic techniques that are divided into categories and briefly described. Section::::Basic definitions of terms. BULLET::::- Aerial shot BULLET::::- Backlighting (lighting design) BULLET::::- Bridging shot BULLET::::- Camera angle BULLET::::- Close-up BULLET::::- Cut BULLET::::- Cross-cutting BULLET::::- Continuity editing BULLET::::- Deep focus BULLET::::- Dissolve BULLET::::- Camera Dolly BULLET::::- Dollying or Dolly shot BULLET::::- Editing BULLET::::- Ellipsis (linguistics) BULLET::::- Establishing shot BULLET::::- Eyeline match BULLET::::- Extreme close-up BULLET::::- Extreme long shot BULLET::::- Fade in/out BULLET::::- Fill light BULLET::::- Flashback BULLET::::- Flash forward BULLET::::- Focus BULLET::::- Framing BULLET::::- Inter-title