Abstract
We present here the EU-funded project CREAMT that seeks to understand what is meant by creativity in different translation modalities, e.g. machine translation, post-editing or professional translation. Focusing on the textual elements that determine creativity in translated literary texts and the reader experience, CREAMT uses a novel, interdisciplinary approach to assess how effective MT is in literary translation considering creativity in translation and the ultimate user: the reader.- Anthology ID:
- 2022.eamt-1.68
- Volume:
- Proceedings of the 23rd Annual Conference of the European Association for Machine Translation
- Month:
- June
- Year:
- 2022
- Address:
- Ghent, Belgium
- Editors:
- Helena Moniz, Lieve Macken, Andrew Rufener, Loïc Barrault, Marta R. Costa-jussà, Christophe Declercq, Maarit Koponen, Ellie Kemp, Spyridon Pilos, Mikel L. Forcada, Carolina Scarton, Joachim Van den Bogaert, Joke Daems, Arda Tezcan, Bram Vanroy, Margot Fonteyne
- Venue:
- EAMT
- SIG:
- Publisher:
- European Association for Machine Translation
- Note:
- Pages:
- 357–358
- Language:
- URL:
- https://aclanthology.org/2022.eamt-1.68
- DOI:
- Cite (ACL):
- Ana Guerberof Arenas and Antonio Toral. 2022. CREAMT: Creativity and narrative engagement of literary texts translated by translators and NMT. In Proceedings of the 23rd Annual Conference of the European Association for Machine Translation, pages 357–358, Ghent, Belgium. European Association for Machine Translation.
- Cite (Informal):
- CREAMT: Creativity and narrative engagement of literary texts translated by translators and NMT (Arenas & Toral, EAMT 2022)
- PDF:
- https://preview.aclanthology.org/nschneid-patch-3/2022.eamt-1.68.pdf