While neural methods for text-to-speech (TTS) have shown great advances in modeling multiple speakers, even in zero-shot settings, the amount of data needed for those approaches is generally not feasible for the vast majority of the world’s over 6,000 spoken languages. In this work, we bring together the tasks of zero-shot voice cloning and multilingual low-resource TTS. Using the language agnostic meta learning (LAML) procedure and modifications to a TTS encoder, we show that it is possible for a system to learn speaking a new language using just 5 minutes of training data while retaining the ability to infer the voice of even unseen speakers in the newly learned language. We show the success of our proposed approach in terms of intelligibility, naturalness and similarity to target speaker using objective metrics as well as human studies and provide our code and trained models open source.

We present the steps taken towards an exploration platform for a multi-modal corpus of German lyric poetry from the Romantic era developed in the project »textklang«. This interdisciplinary project develops a mixed-methods approach for the systematic investigation of the relationship between written text (here lyric poetry) and its potential and actual sonic realisation (in recitations, musical performances etc.). The multi-modal »textklang« platform will be designed to technically and analytically combine three modalities: the poetic text, the audio signal of a recorded recitation and, at a later stage, music scores of a musical setting of a poem. The methodological workflow will enable scholars to develop hypotheses about the relationship between textual form and sonic/prosodic realisation based on theoretical considerations, text interpretation and evidence from recorded recitations. The full workflow will support hypothesis testing either through systematic corpus analysis alone or with addtional contrastive perception experiments. For the experimental track, researchers will be enabled to manipulate prosodic parameters in (re-)synthesised variants of the original recordings. The focus of this paper is on the design of the base corpus and on tools for systematic exploration – placing special emphasis on our response to challenges stemming from multi-modality and the methodologically diverse interdisciplinary setup.