This article presents a new French Sign Language (LSF) corpus called “Rosetta-LSF”. It was created to support future studies on the automatic translation of written French into LSF, rendered through the animation of a virtual signer. An overview of the field highlights the importance of a quality representation of LSF. In order to obtain quality animations understandable by signers, it must surpass the simple “gloss transcription” of the LSF lexical units to use in the discourse. To achieve this, we designed a corpus composed of four types of aligned data, and evaluated its usability. These are: news headlines in French, translations of these headlines into LSF in the form of videos showing animations of a virtual signer, gloss annotations of the “traditional” type—although including additional information on the context in which each gestural unit is performed as well as their potential for adaptation to another context—and AZee representations of the videos, i.e. formal expressions capturing the necessary and sufficient linguistic information. This article describes this data, exhibiting an example from the corpus. It is available online for public research.

This article presents an original method for automatic generation of sign language (SL) content by means of the animation of an avatar, with the aim of creating animations that respect as much as possible linguistic constraints while keeping bio-realistic properties. This method is based on the use of a domain-specific bilingual corpus richly annotated with timed alignments between SL motion capture data, text and hierarchical expressions from the framework called AZee at subsentential level. Animations representing new SL content are built from blocks of animations present in the corpus and adapted to the context if necessary. A smart blending approach has been designed that allows the concatenation, replacement and adaptation of original animation blocks. This approach has been tested on a tailored testset to show as a proof of concept its potential in comprehensibility and fluidity of the animation, as well as its current limits.