Large language models remain predominantly English-centric, which limits their utility for underrepresented languages. We help bridge this gap for Hindi with Llama-3-Nanda-10B-Chat (aka Nanda-10B) and Llama-3.1-Nanda-87B-Chat (aka Nanda-87B), forming the Nanda family of open-weight bilingual models (https://github.com/MBZUAI-IFM/Nanda-Family). Our approach integrates: (i) a tokenizer extending Llama’s vocabulary with 20% Hindi-specific tokens, thus halving Hindi tokenization fertility while preserving English efficiency, (ii) Hindi-first parameter-efficient continual pretraining using Llama Pro on a 65B-token corpus spanning Devanagari script, code-mixed, and Romanized Hindi, and (iii) bilingual instruction and safety alignment on a large culturally grounded dataset. The resulting Nanda models outperform open-weight LLMs of comparable size: Nanda-87B yields high generative quality, and Nanda-10B shows competitive general-purpose performance. Nanda-87B demonstrates state-of-the-art performance on summarization, translation, transliteration, and instruction following. Moreover, both models achieve state-of-the-art performance in safety and in cultural knowledge. Our results demonstrate that careful tokenizer design, data curation, and continual pretraining can yield capable and safe LLMs for resource-poor languages without compromising English performance.

The advent of Music-Language Models has greatly enhanced the automatic music generation capability of AI systems, but they are also limited in their coverage of the musical genres and cultures of the world. We present a study of the datasets and research papers for music generation and quantify the bias and under-representation of genres. We find that only 5.7% of the total hours of existing music datasets come from non-Western genres, which naturally leads to disparate performance of the models across genres.We then investigate the efficacy of Parameter-Efficient Fine-Tuning (PEFT) techniques in mitigating this bias. Our experiments with two popular models – MusicGen and Mustango, for two underrepresented non-Western music traditions – Hindustani Classical and Turkish Makam music, highlight the promises as well as the non-triviality of cross-genre adaptation of music through small datasets, implying the need for more equitable baseline music-language models that are designed for cross-cultural transfer learning.