The rapid advancement of AI-based music generation tools is revolutionizing the music industry but also posing challenges to artists, copyright holders, and providers alike. This necessitates reliable methods for detecting such AI-generated content. However, existing detectors, relying on either audio or lyrics, face key practical limitations: audio-based detectors fail to generalize to new or unseen generators and are vulnerable to audio perturbations; lyrics-based methods require cleanly formatted and accurate lyrics, unavailable in practice. To overcome these limitations, we propose a novel, practically grounded approach: a multimodal, modular late-fusion pipeline that combines automatically transcribed sung lyrics and speech features capturing lyrics related information within the audio. By relying on lyrical aspects directly from audio, our method enhances robustness, mitigates susceptibility to low-level artifacts, and enables practical applicability. Experiments show that our method, DE-detect, outperforms existing lyrics-based detectors while also being more robust to audio perturbations. Thus, it offers an effective, robust solution for detecting AI-generated music in real-world scenarios. Our code is available at https://github.com/deezer/robust-AI-lyrics-detection.

In recent years, the use of large language models (LLMs) to generate music content, particularly lyrics, has gained in popularity. These advances provide valuable tools for artists and enhance their creative processes, but they also raise concerns about copyright violations, consumer satisfaction, and content spamming. Previous research has explored content detection in various domains. However, no work has focused on the text modality, lyrics, in music. To address this gap, we curated a diverse dataset of real and synthetic lyrics from multiple languages, music genres, and artists. The generation pipeline was validated using both humans and automated methods. We performed a thorough evaluation of existing synthetic text detection approaches on lyrics, a previously unexplored data type. We also investigated methods to adapt the best-performing features to lyrics through unsupervised domain adaptation. Following both music and industrial constraints, we examined how well these approaches generalize across languages, scale with data availability, handle multilingual language content, and perform on novel genres in few-shot settings. Our findings show promising results that could inform policy decisions around AI-generated music and enhance transparency for users.

Recommender systems relying on Language Models (LMs) have gained popularity in assisting users to navigate large catalogs. LMs often exploit item high-level descriptors, i.e. categories or consumption contexts, from training data or user preferences. This has been proven effective in domains like movies or products. In music though, understanding how effectively LMs utilize song descriptors for natural language-based music recommendation is relatively limited. In this paper, we assess LMs effectiveness in recommending songs based on user natural language requests and items with descriptors like genres, moods, and listening contexts. We formulate the recommendation as a dense retrieval problem and assess LMs as they become increasingly familiar with data pertinent to the task and domain. Our findings reveal improved performance as LMs are fine-tuned for general language similarity, information retrieval, and mapping longer descriptions to shorter, high-level descriptors in music.