@inproceedings{brognaux-etal-2016-combining,
    title = "Combining Manual and Automatic Prosodic Annotation for Expressive Speech Synthesis",
    author = "Brognaux, Sandrine  and
      Fran{\c{c}}ois, Thomas  and
      Saerens, Marco",
    editor = "Calzolari, Nicoletta  and
      Choukri, Khalid  and
      Declerck, Thierry  and
      Goggi, Sara  and
      Grobelnik, Marko  and
      Maegaard, Bente  and
      Mariani, Joseph  and
      Mazo, Helene  and
      Moreno, Asuncion  and
      Odijk, Jan  and
      Piperidis, Stelios",
    booktitle = "Proceedings of the Tenth International Conference on Language Resources and Evaluation ({LREC}'16)",
    month = may,
    year = "2016",
    address = "Portoro{\v{z}}, Slovenia",
    publisher = "European Language Resources Association (ELRA)",
    url = "https://preview.aclanthology.org/ingest-emnlp/L16-1613/",
    pages = "3872--3879",
    abstract = "Text-to-speech has long been centered on the production of an intelligible message of good quality. More recently, interest has shifted to the generation of more natural and expressive speech. A major issue of existing approaches is that they usually rely on a manual annotation in expressive styles, which tends to be rather subjective. A typical related issue is that the annotation is strongly influenced {\textemdash} and possibly biased {\textemdash} by the semantic content of the text (e.g. a shot or a fault may incite the annotator to tag that sequence as expressing a high degree of excitation, independently of its acoustic realization). This paper investigates the assumption that human annotation of basketball commentaries in excitation levels can be automatically improved on the basis of acoustic features. It presents two techniques for label correction exploiting a Gaussian mixture and a proportional-odds logistic regression. The automatically re-annotated corpus is then used to train HMM-based expressive speech synthesizers, the performance of which is assessed through subjective evaluations. The results indicate that the automatic correction of the annotation with Gaussian mixture helps to synthesize more contrasted excitation levels, while preserving naturalness."
}