Zero-shot singing voice synthesis (SVS) with style transfer and style control aims to generate high-quality singing voices with unseen timbres and styles (including singing method, emotion, rhythm, technique, and pronunciation) from audio and text prompts. However, the multifaceted nature of singing styles poses a significant challenge for effective modeling, transfer, and control. Furthermore, current SVS models often fail to generate singing voices rich in stylistic nuances for unseen singers. To address these challenges, we introduce TCSinger, the first zero-shot SVS model for style transfer across cross-lingual speech and singing styles, along with multi-level style control. Specifically, TCSinger proposes three primary modules: 1) the clustering style encoder employs a clustering vector quantization model to stably condense style information into a compact latent space; 2) the Style and Duration Language Model (S&D-LM) concurrently predicts style information and phoneme duration, which benefits both; 3) the style adaptive decoder uses a novel mel-style adaptive normalization method to generate singing voices with enhanced details. Experimental results show that TCSinger outperforms all baseline models in synthesis quality, singer similarity, and style controllability across various tasks, including zero-shot style transfer, multi-level style control, cross-lingual style transfer, and speech-to-singing style transfer.

We release a multi-accent dataset and propose speech-programming and gradient reversal classifier to improve the generalization.Abstract: Speech-to-SQL (S2SQL) aims to convert spoken questions into SQL queries given relational databases, which has been traditionally implemented in a cascaded manner while facing the following challenges: 1) model training is faced with the major issue of data scarcity, where limited parallel data is available; and 2) the systems should be robust enough to handle diverse out-of-domain speech samples that differ from the source data. In this work, we propose the direct generalizable speech-to-SQL parsing model Wav2SQL which avoids error compounding across cascaded systems. Specifically, 1) to accelerate speech-driven SQL parsing research in the community, we release a large-scale and multi-accent dataset MASpider; 2) leveraging the recent progress in the large-scale pre-training, we show that it alleviates the data scarcity issue and allow for direct speech-to-SQL parsing; and 3) we include the speech re-programming and gradient reversal classifier techniques to reduce acoustic variance and learned style-agnostic representation, improving generalization to unseen out-of-domain custom data. Experimental results demonstrate that Wav2SQL avoids error compounding and achieves state-of-the-art results by up to 4.7% accuracy improvement over the baseline.

Speech-to-singing voice conversion (STS) task always suffers from data scarcity, because it requires paired speech and singing data. Compounding this issue are the challenges of content-pitch alignment and the suboptimal quality of generated outputs, presenting significant hurdles in STS research. This paper presents SVPT, an STS approach boosted by a self-supervised singing voice pre-training model.We leverage spoken language model techniques to tackle the rhythm alignment problem and the in-context learning capability to achieve zero-shot conversion. We adopt discrete-unit random resampling and pitch corruption strategies, enabling training with unpaired singing data and thus mitigating the issue of data scarcity. SVPT also serves as an effective backbone for singing voice synthesis (SVS), offering insights into scaling up SVS models. Experimental results indicate that SVPT delivers notable improvements in both STS and SVS endeavors. Audio samples are available at https://speech2sing.github.io.

Direct speech-to-speech translation achieves high-quality results through the introduction of discrete units obtained from self-supervised learning. However, talking head translation, converting audio-visual speech (i.e., talking head video) from one language into another, still confronts several challenges compared to audio speech: (1) Existing methods invariably rely on cascading, synthesizing via both audio and text, resulting in delays and cascading errors. (2) Talking head translation has a limited set of reference frames. If the generated translation exceeds the length of the original speech, the video sequence needs to be supplemented by repeating frames, leading to jarring video transitions. In this work, we propose a model for talking head translation, TransFace, which can directly translate audio-visual speech into audio-visual speech in other languages. It consists of a speech-to-unit translation model to convert audio speech into discrete units and a unit-based audio-visual speech synthesizer, Unit2Lip, to re-synthesize synchronized audio-visual speech from discrete units in parallel. Furthermore, we introduce a Bounded Duration Predictor, ensuring isometric talking head translation and preventing duplicate reference frames. Experiments demonstrate that Unit2Lip significantly improves synchronization and boosts inference speed by a factor of 4.35 on LRS2. Additionally, TransFace achieves impressive BLEU scores of 61.93 and 47.55 for Es-En and Fr-En on LRS3-T and 100% isochronous translations. The samples are available at https://transface-demo.github.io .

Recent singing-voice-synthesis (SVS) methods have achieved remarkable audio quality and naturalness, yet they lack the capability to control the style attributes of the synthesized singing explicitly. We propose Prompt-Singer, the first SVS method that enables attribute controlling on singer gender, vocal range and volume with natural language. We adopt a model architecture based on a decoder-only transformer with a multi-scale hierarchy, and design a range-melody decoupled pitch representation that enables text-conditioned vocal range control while keeping melodic accuracy. Furthermore, we explore various experiment settings, including different types of text representations, text encoder fine-tuning, and introducing speech data to alleviate data scarcity, aiming to facilitate further research. Experiments show that our model achieves favorable controlling ability and audio quality. Audio samples are available at http://prompt-singer.github.io .

A song is a combination of singing voice and accompaniment. However, existing works focus on singing voice synthesis and music generation independently. Little attention was paid to exploring song synthesis. In this work, we propose a novel task called Text-to-Song synthesis which incorporates both vocal and accompaniment generation. We develop Melodist, a two-stage text-to-song method that consists of singing voice synthesis (SVS) and vocal-to-accompaniment (V2A) synthesis. Melodist leverages tri-tower contrastive pretraining to learn more effective text representation for controllable V2A synthesis. A Chinese song dataset mined from a music website is built to alleviate data scarcity for our research. The evaluation results on our dataset demonstrate that Melodist can synthesize songs with comparable quality and style consistency. Audio samples can be found in https://text2songMelodist.github.io/Sample/.

Note-level Automatic Singing Voice Transcription (AST) converts singing recordings into note sequences, facilitating the automatic annotation of singing datasets for Singing Voice Synthesis (SVS) applications. Current AST methods, however, struggle with accuracy and robustness when used for practical annotation. This paper presents ROSVOT, the first robust AST model that serves SVS, incorporating a multi-scale framework that effectively captures coarse-grained note information and ensures fine-grained frame-level segmentation, coupled with an attention-based pitch decoder for reliable pitch prediction. We also established a comprehensive annotation-and-training pipeline for SVS to test the model in real-world settings. Experimental findings reveal that the proposed model achieves state-of-the-art transcription accuracy with either clean or noisy inputs. Moreover, when trained on enlarged, automatically annotated datasets, the SVS model outperforms its baseline, affirming the capability for practical application. Audio samples are available at https://rosvot.github.io. Codes can be found at https://github.com/RickyL-2000/ROSVOT.

Large language models (LLMs) have successfully served as a general-purpose interface across multiple tasks and languages, while the adaptation of voice LLMs is mostly designed for specific purposes (either single-task or monolingual), where the advantages of LLMs especially for low-resource language processing and zero-shot task generalization are less exploited in the audio community. To bridge the gap, we introduce Make-A-Voice as a multi-modal voice LLM and conduct a comprehensive study on its capability to deal with multiple tasks/languages. When trained on ~200K hours of 6-language data for 4 voice generation applications, Make-A-Voice emerges notable advantages: 1) as scalable learners to improve performance with end-to-end local and global multiscale transformers; and 2) as multitask learners by adjusting prompts to share common knowledge across modalities (speech/singing) and present in-context learning abilities by generalizing to unseen tasks not explicitly train on; 3) as multilingual learners to alleviate data scarcity of low-resource languages by including rich-resource language training data. Experimental results demonstrate that Make-A-Voice exhibits superior audio quality and style similarity compared with competitive baseline models in monolingual/cross-lingual voice generation. Audio samples are available at https://M-Voice.github.io

Direct speech-to-speech translation (S2ST) with discrete self-supervised representations has achieved remarkable accuracy, but is unable to preserve the speaker timbre of the source speech. Meanwhile, the scarcity of high-quality speaker-parallel data poses a challenge for learning style transfer during translation. We design an S2ST pipeline with style-transfer capability on the basis of discrete self-supervised speech representations and codec units. The acoustic language model we introduce for style transfer leverages self-supervised in-context learning, acquiring style transfer ability without relying on any speaker-parallel data, thereby overcoming data scarcity. By using extensive training data, our model achieves zero-shot cross-lingual style transfer on previously unseen source languages. Experiments show that our model generates translated speeches with high fidelity and speaker similarity. Audio samples are available at http://stylelm.github.io/ .

Direct speech-to-speech translation (S2ST) aims to convert speech from one language into another, and has demonstrated significant progress to date. Despite the recent success, current S2ST models still suffer from distinct degradation in noisy environments and fail to translate visual speech (i.e., the movement of lips and teeth). In this work, we present AV-TranSpeech, the first audio-visual speech-to-speech (AV-S2ST) translation model without relying on intermediate text. AV-TranSpeech complements the audio stream with visual information to promote system robustness and opens up a host of practical applications: dictation or dubbing archival films. To mitigate the data scarcity with limited parallel AV-S2ST data, we 1) explore self-supervised pre-training with unlabeled audio-visual data to learn contextual representation, and 2) introduce cross-modal distillation with S2ST models trained on the audio-only corpus to further reduce the requirements of visual data. Experimental results on two language pairs demonstrate that AV-TranSpeech outperforms audio-only models under all settings regardless of the type of noise. With low-resource audio-visual data (10h, 30h), cross-modal distillation yields an improvement of 7.6 BLEU on average compared with baselines. Audio samples are available at https://AV-TranSpeech.github.io/.

Improving text representation has attracted much attention to achieve expressive text-to-speech (TTS). However, existing works only implicitly learn the prosody with masked token reconstruction tasks, which leads to low training efficiency and difficulty in prosody modeling. We propose CLAPSpeech, a cross-modal contrastive pre-training framework that learns from the prosody variance of the same text token under different contexts. Specifically, 1) with the design of a text encoder and a prosody encoder, we encourage the model to connect the text context with its corresponding prosody pattern in the joint multi-modal space; 2) we introduce a multi-scale pre-training pipeline to capture prosody patterns in multiple levels. 3) we show how to incorporate CLAPSpeech into existing TTS models for better prosody. Experiments on three datasets not only show that CLAPSpeech could improve the prosody prediction for existing TTS methods, but also demonstrate its generalization ability to adapt to multiple languages and multi-speaker text-to-speech. We also deeply analyze the principle behind the performance of CLAPSpeech. Ablation studies demonstrate the necessity of each component in CLAPSpeech. Source code and audio samples are available at https://clapspeech.github.io.

We are interested in a challenging task, Realistic-Music-Score based Singing Voice Synthesis (RMS-SVS). RMS-SVS aims to generate high-quality singing voices given realistic music scores with different note types (grace, slur, rest, etc.). Though significant progress has been achieved, recent singing voice synthesis (SVS) methods are limited to fine-grained music scores, which require a complicated data collection pipeline with time-consuming manual annotation to align music notes with phonemes. % Furthermore, existing approaches cannot synthesize rhythmic singing voices given realistic music scores due to the domain gap between fine-grained music scores and realistic music scores. Furthermore, these manual annotation destroys the regularity of note durations in music scores, making fine-grained music scores inconvenient for composing. To tackle these challenges, we propose RMSSinger, the first RMS-SVS method, which takes realistic music scores as input, eliminating most of the tedious manual annotation and avoiding the aforementioned inconvenience. Note that music scores are based on words rather than phonemes, in RMSSinger, we introduce word-level modeling to avoid the time-consuming phoneme duration annotation and the complicated phoneme-level mel-note alignment. Furthermore, we propose the first diffusion-based pitch modeling method, which ameliorates the naturalness of existing pitch-modeling methods. To achieve these, we collect a new dataset containing realistic music scores and singing voices according to these realistic music scores from professional singers. Extensive experiments on the dataset demonstrate the effectiveness of our methods. Audio samples are available at https://rmssinger.github.io/.

Generative adversarial networks (GANs) and denoising diffusion probabilistic models (DDPMs) have recently achieved impressive performances in image and audio synthesis. After revisiting their success in conditional speech synthesis, we find that 1) GANs sacrifice sample diversity for quality and speed, 2) diffusion models exhibit outperformed sample quality and diversity at a high computational cost, where achieving high-quality, fast, and diverse speech synthesis challenges all neural synthesizers. In this work, we propose to converge advantages from GANs and diffusion models by incorporating both classes, introducing dual-empowered modeling perspectives: 1) FastDiff 2 (DiffGAN), a diffusion model whose denoising process is parametrized by conditional GANs, and the non-Gaussian denoising distribution makes it much more stable to implement the reverse process with large steps sizes; and 2) FastDiff 2 (GANDiff), a generative adversarial network whose forward process is constructed by multiple denoising diffusion iterations, which exhibits better sample diversity than traditional GANs. Experimental results show that both variants enjoy an efficient 4-step sampling process and demonstrate superior sample quality and diversity. Audio samples are available at https://RevisitSpeech.github.io/

The speech-to-singing (STS) voice conversion task aims to generate singing samples corresponding to speech recordings while facing a major challenge: the alignment between the target (singing) pitch contour and the source (speech) content is difficult to learn in a text-free situation. This paper proposes AlignSTS, an STS model based on explicit cross-modal alignment, which views speech variance such as pitch and content as different modalities. Inspired by the mechanism of how humans will sing the lyrics to the melody, AlignSTS: 1) adopts a novel rhythm adaptor to predict the target rhythm representation to bridge the modality gap between content and pitch, where the rhythm representation is computed in a simple yet effective way and is quantized into a discrete space; and 2) uses the predicted rhythm representation to re-align the content based on cross-attention and conducts a cross-modal fusion for re-synthesize. Extensive experiments show that AlignSTS achieves superior performance in terms of both objective and subjective metrics. Audio samples are available at https://alignsts.github.io.

Expressive text-to-speech aims to generate high-quality samples with rich and diverse prosody, which is hampered by dual challenges: 1) prosodic attributes in highly dynamic voices are difficult to capture and model without intonation; and 2) highly multimodal prosodic representations cannot be well learned by simple regression (e.g., MSE) objectives, which causes blurry and over-smoothing predictions. This paper proposes Prosody-TTS, a two-stage pipeline that enhances prosody modeling and sampling by introducing several components: 1) a self-supervised masked autoencoder to model the prosodic representation without relying on text transcriptions or local prosody attributes, which ensures to cover diverse speaking voices with superior generalization; and 2) a diffusion model to sample diverse prosodic patterns within the latent space, which prevents TTS models from generating samples with dull prosodic performance. Experimental results show that Prosody-TTS achieves new state-of-the-art in text-to-speech with natural and expressive synthesis. Both subjective and objective evaluation demonstrate that it exhibits superior audio quality and prosody naturalness with rich and diverse prosodic attributes. Audio samples are available at https://improved_prosody.github.io

Visual temporal-aligned translation aims to transform the visual sequence into natural words, including important applicable tasks such as lipreading and fingerspelling recognition. However, various performance habits of specific words by different speakers or signers can lead to visual ambiguity, which has become a major obstacle to the development of current methods. Considering the constraints above, the generalization ability of the translation system is supposed to be further explored through the evaluation results on unseen performers. In this paper, we develop a novel generalizable framework named Contrastive Token-Wise Meta-learning (CtoML), which strives to transfer recognition skills to unseen performers. To the best of our knowledge, employing meta-learning methods directly in the image domain poses two main challenges, and we propose corresponding strategies. First, sequence prediction in visual temporal-aligned translation, which aims to generate multiple words autoregressively, is different from the vanilla classification. Thus, we devise the token-wise diversity-aware weights for the meta-train stage, which encourages the model to make efforts on those ambiguously recognized tokens. Second, considering the consistency of word-visual prototypes across different domains, we develop two complementary global and local contrastive losses to maintain inter-class relationships and promote domain-independent. We conduct extensive experiments on the widely-used lipreading dataset GRID and the fingerspelling dataset ChicagoFSWild, and the experimental results show the effectiveness of our proposed CtoML over existing state-of-the-art methods.

Stutter removal is an essential scenario in the field of speech editing. However, when the speech recording contains stutters, the existing text-based speech editing approaches still suffer from: 1) the over-smoothing problem in the edited speech; 2) lack of robustness due to the noise introduced by stutter; 3) to remove the stutters, users are required to determine the edited region manually. To tackle the challenges in stutter removal, we propose FluentSpeech, a stutter-oriented automatic speech editing model. Specifically, 1) we propose a context-aware diffusion model that iteratively refines the modified mel-spectrogram with the guidance of context features; 2) we introduce a stutter predictor module to inject the stutter information into the hidden sequence; 3) we also propose a stutter-oriented automatic speech editing (SASE) dataset that contains spontaneous speech recordings with time-aligned stutter labels to train the automatic stutter localization model. Experimental results on VCTK and LibriTTS datasets demonstrate that our model achieves state-of-the-art performance on speech editing. Further experiments on our SASE dataset show that FluentSpeech can effectively improve the fluency of stuttering speech in terms of objective and subjective metrics. Code and audio samples can be found at https://github.com/Zain-Jiang/Speech-Editing-Toolkit.

Text-to-speech(TTS) has undergone remarkable improvements in performance, particularly with the advent of Denoising Diffusion Probabilistic Models (DDPMs). However, the perceived quality of audio depends not solely on its content, pitch, rhythm, and energy, but also on the physical environment.In this work, we propose ViT-TTS, the first visual TTS model with scalable diffusion transformers. ViT-TTS complement the phoneme sequence with the visual information to generate high-perceived audio, opening up new avenues for practical applications of AR and VR to allow a more immersive and realistic audio experience. To mitigate the data scarcity in learning visual acoustic information, we 1) introduce a self-supervised learning framework to enhance both the visual-text encoder and denoiser decoder; 2) leverage the diffusion transformer scalable in terms of parameters and capacity to learn visual scene information. Experimental results demonstrate that ViT-TTS achieves new state-of-the-art results, outperforming cascaded systems and other baselines regardless of the visibility of the scene. With low-resource data (1h, 2h, 5h), ViT-TTS achieves comparative results with rich-resource baselines.