Amazon.com: Hurry Sundown: Michael Caine, Jane Fonda, Faye Dunaway, John Philip Law, Robert Hooks, Burgess Meredith, Diahann Carroll, George Kennedy, Jim Backus, Otto Preminger, Horton Foote, Thomas C. Ryan, K.B. Gilden: Movies & TV
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Hurry Sundown (1967)
Michael Caine (Actor), Jane Fonda (Actor), Otto Preminger (Director) | Rated: NR | Format: DVD
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Product Details
Actors: Michael Caine, Jane Fonda, Faye Dunaway, John Philip Law, Robert Hooks
Directors: Otto Preminger
Writers: Horton Foote, Thomas C. Ryan, K.B. Gilden
Producers: Otto Preminger
Format: Widescreen, Anamorphic, Color, NTSC
Language: English
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 2.35:1
Number of discs: 1
Rated: NR (Not Rated)
Studio: Olive Films
DVD Release Date: May 17, 2011
Run Time: 142 minutes
Average Customer Review: '); jQuery(document.body).append(offscreen); offscreen.html(data); width += offscreen.children().width() + 2; content.children().remove().end().append(offscreen.children()); offscreen.remove(); var screenw = Math.min($(window).width(), $(document).width()); if(popoverParent.offset().left + width >= screenw) { popoverParent.css('left', (screenw - width) + 'px'); } popoverParent.width(width); jQuery.AmazonPopover.updateBacking('reviewsPopover'); } else { content.html(data); } }; var loadPopoverAjax = function(anchor, popover, userInitiated) { if(anchor.data('loaded')) return; anchor.data('loaded', 1); $.ajax({ url: anchor.data('ajaxURL') + '&recordMetric=' + (userInitiated ? 1 : 0), success: function(data) { loadPopoverContent(anchor, popover, data); }, error: function(x, text) { } }); }; var onPopoverShow = function(popover, settings) { if(!this.data('loaded')) { loadPopoverAjax(this, popover, true); } else if(!this.data('hitRecorded')) { $.get("/gp/customer-reviews/common/du/recordHistoPopAjax.html", { "ASIN": this.data('asin'), "ref" : this.attr('ref') }); } this.data('hitRecorded',1); }; var onPopoverHide = function(popover, settings) { jQuery('#acr-content-' + this.data('asin')).trigger('acrPopoverClose'); }; $.fn.acrPopover = function() { return this.each(function() { var $this = $(this); if(!$this.data('init')) { $this.data('init', 1) .data('asin', $this.attr('name')); var contentDiv = $('
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30 of 32 people found the following review helpful:
4.0 out of 5 stars At last, Preminger's sensational, trashy dose of Southern Americana on widescreen DVD!, March 20, 2011
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Gary Vidmar (Colorado Springs) - See all my reviews
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This review is from: Hurry Sundown (DVD) Get ready for a heady, potboiler version of the K.B. Gilden, hot-button novel about Southern racism in 1946 Georgia. Otto Preminger gathers a terrific cast and piles on the cheap controversy in overdose mode: beyond-beastly bigots; sappy, sentimentalized white-trash; saintly black sharecroppers belting out designer spirituals; and a delightfully vile bourgeois who ties his brat up in a crib. Fonda sucks Caines saxophone in a film that fairly competes with VALLEY OF THE DOLLS as the best camp of the sixties. Hugo Montenegro contributes a colorful, evocative score that sadly hasn't seen the light of day on CD. Based on the quality of previous Olive Films releases, this promises to be one of the retro dvd delights of the year!
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7 of 7 people found the following review helpful:
4.0 out of 5 stars What If Tennessee Williams Scripted 'Green Acres'?, July 27, 2011
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4-Legged Defender "Anthony C. Rubbo" (ATL. GA.) - See all my reviews
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This review is from: Hurry Sundown (DVD) [HURRY SUNDOWN - (1967) - Widescreen presentation] Personally, I'm glad Olive films are releasing a handful of Otto Preminger's films from his latter career that weren't previously available. 'Such Good Friends' (1971) was such an unexpected treat that I jumped on this one immediately, though the results were murky this time out. First off, the audio is not as good as other Olive films; this one's all treble with no bass and little mid-section, and can be grating during certain dialogue-heavy scenes. The video is good, not great, but the aspect ratio is fine. And I'm a fan of Preminger's directorial skills - so no problem there. Now let's discuss the cast and not-so-petty annoyances, shall we?
Before I go on, let me state that I love Michael Caine's body of work during the 60's, 70's and 80's. But he's so horribly miscast here as a Southern landowner in 1940's Georgia that he threatens to destroy the essence of the entire film. His cockney confederate accent is mostly atrocious, and he's the lynchpin in a film about racial prejudice, avaricious land-grabbing and civil unrest - he's about as Southern as a mint julep in Buckingham Palace. He looks the part, but every other time he utters a sentence, his credibility's crushed. The same can be said of Jane Fonda (another actor I adored throughout her 60s' work) - she slips in and out of a Southern drawl constantly throughout the film, but is still compelling to watch. As a matter of fact, the only actors who lend credence to the film's location and time period are Burgess Merideth (simply scorching as a racist redneck judge), George Kennedy (duplicating the sheriff's role he played in 'Cool Hand Luke' the previous year), Faye Dunaway (though her role is decidedly smaller than you'd think, as 'Bonnie and Clyde' hadn't been released yet) and the considerably lesser-known character actors. Hardly anyone else sounds like they've even vacationed in the south, seen a Tennessee Williams play or even caught an episode of 'Green Acres', let alone 'Hee Haw'. Robert Hooks and Diahann Carroll, as poor black farmers, sound about as country black as Cicily Tyson and James Earl Jones. And John Phillip Law appears to be in rehearsal for the emotional range needed for his upcoming role in 'Danger: Diabolik' (a Euro comic book). There's no way Preminger was unaware of this, but who knew what he was thinking?
If it weren't for the many cars and trucks littered about informing us of the era, you'd certainly never know it from the way the women were dressed - there's nothing even remotely 1940's about the dresses Jane Fonda slinks in and out of, not that I'm complaining so much here, just making a costuming point. Even Hugo Montenegro's score is suffering from MPD (multiple personality disorder); the first half of the film it's as melodramatically sappy as its plot before shifting gears later on, infusing 60's soul-groove sounds at inappropriate moments. But, in hindsight, the film is a transcendent trainwreck that's captivating in spite of itself. Partially because of the cast, even those miscast, partially because of Preminger's distinct eye, style and timing (was this film made before or after he did acid with Groucho Marx while filming 'Skidoo'? If it was after, no explanations are needed), partially 'cause it was the experimental 60's when throwing disparate objects and ideas into a blender to forge something new was all the rage. As much as I might otherwise like to, I can't in good faith trash this flick for being the trash some would consider it to be. OK, so it's not 'Laura', 'Anatomy of a Murder' or 'Man with the Golden Arm', but it sure is a lot of fun to watch (despite the shockingly racist remarks and dialogue) in a latter-day John Waters meets Harold Robbins sort of way...3 1/2 stars.
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9 of 11 people found the following review helpful:
4.0 out of 5 stars It makes my skin crawl!, May 21, 2011
By
V. Risoli "black farmer" (Atlantic Highlands, NJ, USA) - See all my reviews
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This review is from: Hurry Sundown (DVD) With "Hurry Sundown" (1967) Otto Preminger was beginning his decline which was the last big budgeted film based on a controversial best-seller which Preminger thrived on in the fifties for his taste for built-in controversy ("Anatomy of a Murder," "Advise and Consent") (in defense of "Hurry Sundown" the screenwriters couldn't have been more competent to turn K.B. Gilden's massive novel into a film: Horton Foote ("The Trip to Bountiful") and Thomas C. Ryan (Carson McCullers' "The Heart is a Lonely Hunter"), great screenwriters who know the South). Preminger, beside the reputation as a tyrant on the set (here Faye Dunaway paid off her contract she earned from Preminger to never have to work with him again), Otto was a great humanist who through "Hurry Sundown" managed to present a well-measured and seasoned dose of racial conflict (that the reality of surfaced during the shooting of the film). Critic Rex Reed who took pot shots at Preminger for the rest of his career was called upon to make retractions about falsities he printed during the making as well). The critics who panned Preminger's later work taken together can "make my skin crawl" as Jane Fonda later says to Michael Caine after she realizes what he's capable of, and here's to wishing they can speak of his praises. Preminger as a film-maker rarely went over budget and his direction can be fascinating to watch in his conciseness. Michael Caine manages his Southern accent well despite his own natural accent and Jane Fonda, Frank Converse, Robert Hooks, John Phillip Law, Faye Dunaway, Diahann Carroll, Burgess Meredith, George Kennedy, Beah Richards, Madeleine Sherwood, Doro Merande, Jim Backus, Robert Reed are all well-cast. The result is campy, but there are a few genuinely touching scenes (especially from Beah Richards) that receive help from Hugo Montenegro's wonderful score. Preminger did not do anything on such a grand scale again, at least until the failure of "Rosebud" in 1975 (which deserves to be seen today as it deals with terrorism and could have likely been taken from today's headlines). "Hurry Sundown" was rated "C" by the Catholic Legion of Decency upon release, and Preminger's scenes that heightened that controversy (the saxophone scene between Caine and Fonda) and other touches that spiced the content remain adult today as the film still carries an "O" rating for "Objectionable" which the Catholics use today than their original ratings even in some cases changing the ratings through the years to less offensive depending on their judgement. I am glad Olive Films has taken up to releasing all of Preminger's Paramount product at the end of his career. They are a class act. They are in support apparently of the greatness that was Otto Preminger and you should too.
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4.0 out of 5 stars A Long Time Coming
I remember watching this as a kid on TV. Later I found the long sprawling novel (over 1000 pages listed as being written by KB Gilden who is in fact 2 writers), and attempted to... Read more
Published 4 months ago by Terry D. Robertson
3.0 out of 5 stars A Film of the Late 60s
What can you say about Otto Preminger? He made movies unlike others at the time. He would make a film that chose a topic others would not want. Read more
Published 4 months ago by L. Tauber
5.0 out of 5 stars Beautiful Transfer
I have found in the past that when an "obscure" film finally makes it to DVD that the transfer is often questionable and often looks like it was copied from a VHS tape. Read more
Published 5 months ago by Oldie Man
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