Queer as Folk (U.S. TV series)

Queer as Folk is a drama television series. It is an American–Canadian co-production. The series ran between December 2000 and August 2005 and was produced for Showtime and Showcase by Cowlip Productions, Tony Jonas Productions, Temple Street Productions and Showtime Networks in association with Crowe Entertainment. It was developed and written by Ron Cowen and Daniel Lipman, who were the showrunners, and also the executive producers along with Tony Jonas, former President of Warner Bros. Television.
Based on the British series created by Russell T Davies, "Queer as Folk" was the first hour-long drama on American television to portray the lives of gay men and women. Although it was set in Pittsburgh, PA, much of the series was actually shot in Toronto and employed various Canadian directors known for their independent film work (including Bruce McDonald, David Wellington, Kelly Makin, John Greyson, Jeremy Podeswa and Michael DeCarlo) as well as Australian director Russell Mulcahy, who directed the pilot episode. Additional writers in the later seasons included Michael MacLennan, Efrem Seeger, Brad Fraser, Del Shores, and Shawn Postoff.
The series follows the lives of five gay men living in Pittsburgh, Pennsylvania, Brian (Gale Harold), Justin (Randy Harrison), Michael (Hal Sparks), Emmett (Peter Paige), and Ted (Scott Lowell); a lesbian couple, Lindsay (Thea Gill) and Melanie (Michelle Clunie); and Michael's mother Debbie (Sharon Gless) and his uncle Vic (Jack Wetherall). Another main character, Ben (Robert Gant), was added in the second season.
The first episode finds the four friends ending a night at Babylon, a popular gay club. Brian picks up and has sex with Justin, who falls in love with him and eventually becomes more than a one-night stand. Brian also becomes a father that night, bearing a son with Lindsay through artificial insemination.
Michael's seemingly unrequited love for Brian fuels the story, which he occasionally narrates in voice-over. Justin's coming out and budding relationship with Brian has unexpected effects on Brian and Michael's lives much to Michael's dismay as Justin is only 17 years old. Justin confides in his straight high-school friend Daphne, while struggling to deal with homophobic classmates and his dismayed, divorcing parents, Craig and Jennifer. Later in the second season Justin and Michael co-create the sexually explicit underground comic "Rage", featuring a "Gay Crusader" superhero based on Brian.
Brian's son Gus, being raised by Lindsay and Melanie, becomes the focus of several episodes as issues of parental rights come to the fore. Ted is Melanie's accountant who once harbored a longstanding crush on Michael. He and Emmett begin as best friends, but briefly become lovers later in the series. Their relationship ends as Ted, unemployed and with a criminal record earned from running a legitimate porn website that was targeted by a Chief of Police running for Mayor, becomes addicted to crystal meth. In the fourth season, Brian, who has lost his job by assisting Justin in opposing an anti-gay political client, starts his own agency. Michael marries Ben Bruckner, an HIV-positive college professor, and the couple adopts a teenage son, James "Hunter" Montgomery, who is also HIV-positive as a result of his experiences as a young hustler.
Ted's affair with a handsome crystal meth addict, Blake Wyzecki, sets the pattern for Ted's later tragic but ultimately redeeming experiences with drug addiction.
Melanie and Lindsay's relationship, while on the surface seeming more of a "stable" relationship, is actually quite tumultuous and controversial. Each cheats on the other at various points in the series; both tackle on a threesome shortly after they marry and become separated for much of the 4th and 5th seasons. Melanie is impregnated by Michael (through artificial insemination, as Lindsay was) in the third season, so that best friends Brian and Michael become co-fathers to Lindsay and Melanie's children. Melanie gives birth to a girl, Jenny Rebecca, over whom Melanie, Lindsay, and Michael have a brief legal custody battle following the women's transitory break-up. Brian's new advertising agency, "Kinnetik", becomes highly successful both through a combination of Brian's customer loyalty and his edgier advertising. As a result of this, Brian is able to purchase "Club Babylon" from its bankrupt owner.
In the fifth and final season the boys have become men, and the series, perhaps more comfortable in its role in gay entertainment, tackles political issues head-on and with much more fervor.
A political campaign called "Proposition 14" is depicted during much of the final season as a looming threat to the main characters. This proposition, like so many real-life recent legislative moves that have affected many U.S. states, threatens to outlaw same-sex marriage, adoption and other family civil rights. The many ways in which such a proposition would affect the characters are depicted through nearly every episode. Debbie, Justin, Jennifer, Daphne, Emmett, Ted, Michael, Ben, Lindsay, Melanie and the children are depicted standing up and fighting against this proposition both by active canvassing, political contributions and other democratic processes, but are met with staunch opposition, discrimination, outright hatred and political setbacks.
The show climaxes near the end of the series when a benefit to support opposition to Proposition 14 hosted at Brian's club "Babylon" (after repeated relocations of the benefit, due to discrimination) is attacked by a bomb that initially kills 4, and eventually another 3 and injures 67.
This horrible event sets the bittersweet tone for the final three episodes, in which Brian, frightened by this third possible loss of Justin, finally declares his love for him. The two even plan to marry, but Justin's artistic abilities get noticed by a New York art critic and the two decide, for the time being at least, in favor of a more realistic approach to a stormy relationship that nevertheless works for their characters. Melanie and Lindsay, realizing they have more in common than they don't, resume their relationship but relocate to Canada to "raise [their children] in an environment where they will not be called names, singled out for discrimination, or ever have to fear for their life."
Emmett becomes a Queer-Eye type TV presenter but is later fired when professional football player Drew Boyd kisses him on the news to signify his coming out. Ted confronts his midlife crisis head-on and finally reunites with Blake. Hunter returns and the Novotny-Bruckner family perseveres.
The series came full circle with the final scenes staged in the restored Babylon nightclub. In the final scene, Brian dances to Heather Small's "Proud," a song that accompanied a pivotal scene between Brian and Michael in the very first episode of the series. It ends with a final narration by Michael:
The American version of "Queer as Folk" quickly became the number one show on the Showtime roster. The network's initial marketing of the show was primarily targeted at gay male (and to some extent, lesbian) audiences, yet a sizeable segment of the viewership turned out to be heterosexual women.
Groundbreaking scenes abounded in "Queer as Folk", beginning with the first episode, containing the first simulated sex scene between two men shown on American television (including mutual masturbation, anal sex, and rimming), albeit more tame than the scene it was based on in the UK version. Despite the frank portrayals of drug use and casual sex in the gay club scene, the expected conservative uproar never materialized.
Initially, most of the actors kept their real-life sexual orientations ambiguous in the press so as not to detract from their characters, causing much speculation among the viewing audience. Since that time, Randy Harrison, Peter Paige, Robert Gant and Jack Wetherall have stated that they are gay, Thea Gill has stated she is bisexual, and the rest of the cast have stated they are straight (i.e., Gale Harold, Scott Lowell, Michelle Clunie, and Hal Sparks) but have for the most part avoided public discussion of their orientation.
Controversial storylines which have been explored in "Queer as Folk" have included the following: coming out, same-sex marriage, ex-gay ministries, recreational drug use and abuse (cocaine, methamphetamine, ecstasy, GHB, ketamine, cannabis); gay adoption, artificial insemination, vigilantism, Autoerotic asphyxiation, gay-bashing, safe sex, HIV/AIDS, casual sex, cruising, "the baths," serodiscordancy in relationships, underage prostitution, actively gay Catholic priests, discrimination in the workplace based on sexual orientation, the internet pornography industry, and bug chasers (HIV-negative individuals who actively seek to become HIV-positive).
The series was set in the city of Pittsburgh, Pennsylvania, which it depicted with a good deal of creative license; one example is the numerous references made to the Susquehanna River which flows in the eastern and central parts of Pennsylvania whereas Pittsburgh is in the west. Pittsburgh was chosen as the closest parallel to the UK series' industrial setting of Manchester, England. However, since Pittsburgh does not have a large gay district like San Francisco or New York, almost all of the Liberty Avenue scenes were filmed in and around the Church and Wellesley area of Toronto which is that city's gay village. In fact, not a single shot of the real Liberty Avenue was ever used in the series. Toronto was chosen as the production center of the series because of its lower cost of production and established mature television and film industry. And, as it happens, Toronto's gay village had the look the producers needed to bring their vision of Liberty Avenue alive.
Woody's, the central bar in this fantasy Pittsburgh, is the name of a leading gay bar in Toronto, whose real exterior was shot with only minor disguise. (In a Season 4 episode in which several characters travelled to Toronto, the real Woody's was dubbed "Moosie's".) Babylon was also the name of a real gay bar in Toronto, which was open during the show's run but subsequently closed, although the real establishment was a sitdown martini bar; the dance club scenes in the series were actually filmed at a different Toronto nightclub, Fly.
The series, at times, made humorous reference to its image in the gay community. A few episodes featured the show-within-a-show "Gay as Blazes", a cheesy, dull, badly acted, and abundantly politically correct drama which Brian particularly disagreed with, and which was eventually cancelled.